Miss Lonelyhearts Embraces the Cripple

Miss Lonelyhearts Embraces the Cripple

Such an ancient and evolutionary magic, Love, so often invoked and so rarely successfully. You are the spellbook, as we are all spellbooks, so you must study it. “It” means your Self and the quality of its relationships to other Selves with other spellbooks, who are just as ancient and evolutionary as you.

If you spent more time studying this Book of Self, you would no longer fear being alone; loneliness is the best lighting by which to read, and the content of your own book assures you that loneliness will never be anything to fear, so long as it is embraced and cooperated. You are whole; you are reminded of the Thing that entered your body and never left, that immensely yearning throb to believe in the best of yourself and all selves.

As you read yourself more, you will be able to imagine things you never dreamt possible. Your mind and soul will be filled with the vocabulary to create a world of miracles, with every child fed, loved, and educated about the most effective ways they can contribute. You will someday understand that people are born racial, uniquely sexual and gendered, but nobody is born saying things like, “Oh, I don’t think I could ever marry a black guy.”


I know a lot of people have a “type,” as in, a typical appearance to which they’re sexually attracted. But please keep two things in mind: 1.) it’s dangerously easy to mistake socially programmed responses for genuine personal attraction, and 2.) you miss out on most of what life offers when you judge your experiences by appearance alone.

Love always,

your Mister

P.S. – The title of this poem comes from Chapter 11 (“Miss Lonelyhearts and the Cripple”) of Nathanael West’s Miss Lonelyhearts, the novella upon which this entire project is based.

Miss Lonelyhearts Always Returns

Miss Lonelyhearts Always Returns

Sometimes my soul grows tired,
tired as the twilit sky,
tired of this body it calls home:
this body that needs washed,
fed each day and put to sleep,
this body that will die a baby,
having never outgrown its constant need.
This body must always come or leave,
and it walks the same hallways,
climbs to descend the same stairs
and get to the same places;
they say a third of life is spent asleep,
but what fraction expresses the time
spent walking to and from the same bed?
Everything done again feels wasteful.

I avoid mirrors on these tired days,
because it’s hard to look myself in the eyes
and say I love me, even the least important part:
this hairy, wrinkled, blushing thing
that hosts a soul you think you’ve seen,
baked in clay and covered with pieces
and marks we must learn to love or die unloved;
they say the body is a temple or garden, and I know
those are meant to look different in different light,
cast uneven shadows and move clumsily through time,
then disappear altogether, making room for new things.
So maybe I, like they, will teach people
how to be immortal in transience, by existing after I exist,
in stories and paintings, or in unspoken memories of how
I gave the world goodness by letting it happen in and around me.

Another tired night, bombarded by Death
of people, youth, and opportunity. I close the door,
turn off the lights and face the lifeless, lightless mirror;
I stare into the blackness and pray, searching the invisibility,
alone, to find a trace of goodness in the universe inside.
I allow myself to forget that I’m meat and bone
enslaved to needs, reliance, and vanity. In the abyss
I hear an echo; it’s me, quoting Dostoevsky to a friend:

“I think the devil doesn’t exist, but man has created him . . . in his own image and likeness.” “Beauty is mysterious as well as terrible.
God and the devil are fighting there, and the battlefield is the heart of man.” “To love someone is to see him as God intended him.”

Having seen my soul in the voice with no sound, I turn on the lights,
illuminating my body and the truth that I’m free
to love again, without feeling wasteful.


This poem was inspired by one of Artur Deus Dionísio’s Instagram photos, in which he stands before a mirror; he wrote this caption for it: “‘Mirror, is it true, you don’t even have a true color?’ None at all, you know, I’m not the one you seek when you see me: I’m your mirage, but you’re my slave #cage #mirror.” As someone who’s struggled with body image issues for most of my life, this caption struck a chord with me. I challenged myself to play a lovely little serenade to myself in that chord, and this poem is the result. I hope it resonates with someone out there, so we can keep this beautiful music going.

I became acquainted with Artur after I downloaded an amazing app called DailyArt, which provides me with a daily dose of inspiration. Every day, the app displays a new work of art, along with a descriptive discussion of the artist and theme. His discussions are always my favorite, so I cyber-stalked him and the rest is history. I highly recommend this app to anyone with even the slightest creative sensibilities; actually, I just recommend this app to EVERYONE. I promise it will inspire you by reminding you that Life is Art and that nobody is ever alone.

Love always,

your Mister

P.S. – The title of this poem comes from Chapter 10 (“Miss Lonelyhearts Returns”) of Nathanael West’s Miss Lonelyhearts, the novella upon which this entire project is based.

I See the Silence Coming

I See the Silence Coming

I

I can see the silence coming,

but only with my eyes closed.

It always starts with darkness and

waiting for a whisper

to tell me if I’m good or great.

Or anything at all, really,

anything more than the dust in my eyes,

starting in my lashes,

swirling in my lids,

forever trapped but dancing there,

in the world under my face,

and the stars between my thoughts,

just atmosphere before the carbon

becomes words and worlds of its own.

II

Gold dust crashes into Itself,

colliding just to collide

because all It knows is gravity.

It decorates darkness by accident,

making life to kill it,

making love to kill it again.

If the dust could talk

instead of just bombard Itself,

It would probably lie to you

without realizing its own untruth

by laughing about the journey

and how It planned every part,

as if not just bleeding, dying,

and being beautiful in the dark.

III

Violent from the outside, maybe,

the making of moons from bone.

But every gold must someday gray,

just as new gold must be shone!

I’ve dreamt It all enough to see

the calm in chaos grandest,

littered with glittering gold and gray,

where men saw demons in debris:

a whore with saint-stained lips,

riding monster’s breath apocalypse.

Myself, I’ve seen no angry angels

when I’ve ventured there alone,

just moving stillness, life renewed and

silence, showing me what I am.


It’s quite coincidental that I scheduled this post for today, as it employs biblical apocalyptic imagery to demonstrate both the necessity of individual thought and the benefits of meditation/alone-time; the poem also mentions carbon. I wrote it earlier this year, but scheduled weeks ago to post it today, on the heels of yesterday’s trending story that the Earth’s carbon levels have now reached permanently damaging peaks.

Love always,

your Mister

I’m the Tree of Life

I’m the Tree of Life

I sit down to meditate for the first time, and I’m overcome with anxiety and guilt. Everything around me feels so urgent, and I feel lazy by consequence. I close my eyes to become a statue, and the darkness whispers everything else I think I should be doing: answering messages, checking on my mom, reading, writing, exercising, making lists I might never use; my hand twitches to reach for my phone, but my body remains surprisingly resolute. Maybe I really am exercising something: something I can’t see, like a belief in my ability to do this or anything. I don’t even know if I’m breathing or sitting correctly. Someone once told me “there’s no wrong way to meditate,” but there must be a wrong way to do everything. All I see is blackness and I’ve never felt more aware of my lonely smallness. The last time I ventured this deeply into myself, something inside me crushed my Self like the dark Deep Sea crushes unprepared divers. But maybe, the last time, I wasn’t really diving into myself at all; maybe I was diving into the blackness of desperation and doubt that’d been funneled into me by money and businesses and churches and advertisements and electronics and countries and other things men have created but cannot completely control. I recognize this thought, and I exhale its fear from my mind; but I still doubt that I’m breathing properly, and I’m reminded of how breathless I get whenever I walk to work or class or home and I feel a pressure to match my breathing to everyone I pass. I open my eyes and I stand, as if from a warm and relaxing pool, but I don’t feel enlightened; I’m still the heavens and earth disconnected.

Meditation has become daily routine, but some sessions prove more immediately rewarding than others; the habit has replaced less healthy ones, though, and my anxiety has reduced overall because of it. I sit down to journey into myself again, and a wave of pale baby-blue eventually overcomes the darkness inside my eyes. It reminds me of the transgender* Bunny from Vonnegut’s Breakfast of Champions, who meditated until she saw the scars from her father’s abuse and neglect float away as blue silken scarves; my own father’s actions become a scarf, and I let it go. My mind begins to dance with other thoughts that I recognize then release from my sanctuary: my mother will die someday, and so will I and everyone else I love; the blue scarves float away and smile in the light, but where is this light coming from? This light, that lets me see these things, that lets me see myself growing beyond emptiness. I stare blindly into the source, and I see the silhouette of a tree; I recognize it as the Tree of Life that grew from the shell of the World Turtle in Native American creationism, its roots and branches connecting Heaven and Earth. I feel connected to the land upon which I sit: the land that once provided life for the First Americans before the White Devils killed and exploited because they held no peace within and so failed of It without. I understand the World Turtle’s journey now, and I begin to feel the Tree sprouting from my own back; it’s heavy with the lightness of being. I open my eyes to find I’m smiling.

I meditate no longer out of need or habit; I sit and breathe this way because I’m grateful: grateful to be alive and to be connected, connected to the living and the lived, the lived and the will-live. My smiles have become less accidental, or maybe they’ve become more accidental; regardless, they’ve become more meaningful. I’m reminded of a school of meditation in India wherein smiling is intrinsic to The Experience, and I wonder why so many people in the world refuse to meditate but don’t hesitate to kill. But I can only know why I meditate and why I smile, because I’ve discovered a Transcendental Triad in my Self: I’m the heavens and the earth, I’m the world-bearing wanderer, and I’m the Tree of Life connected to and connecting It All.


This is a narrative stream-of-consciousness poem I wrote after my first few months of practicing meditation. (Full disclosure: Many of my friends suggested I try meditation for almost a year before I started meditating. An episode of Good Morning America inspired me to finally try it; I watched it because the cast of Pretty Little Liars was going to be interviewed, and the episode included a segment with meditation advocate Deepak Chopra. You might think I should be ashamed to admit that, but I’m not–because I know inspiration is everywhere.)

*In Breakfast of Champions, Bunny is portrayed as an effeminate male; I interpret the character as transgender because, as a boy, he told his father he wanted to be a woman, and his father responded by banishing him to military school and never allowing the subject to be discussed again.

Love always,

your Mister

my last drink

November 21, 2021
1492 days ago.

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