Miss Lonelyhearts Pays a Loan

Miss Lonelyhearts Pays a Loan

I was born with a mountain on my back: parents not descended from gods; so I’m cursed to carry the gods like my parents did, like all our neighbors who borrowed rocks to weigh themselves down so they could eat and live and teach their children down here, because there’s good money in making life harder for yourself and better money in making life harder for others. But I mustn’t rage or kill or hate and bury you with my own burden. I must learn all I can about gravity and government, to fortify the knowledge under calluses and accept that I may spend my entire lifetime paying people who call themselves specialists to remove my mountainous lack stone by stone. And because I’m privileged enough to know the body is never enough, I will fill my hardness with buoyant dreams, dreams that I might someday eat alongside the gods, if only in name or blood or memory, and dreams of myself spiriting the gods into revolution, forcing nobody to carry us because we won’t make mortals move rocks anymore, like tyrants or pharaohs or vengeful myth-spirits. We will share our magic of knowing that motion is life instead of stone, then mountains will stay where they are and everyone will move around them by sunlight, air, and water, with clear lungs and unexhausted strength, soberly honoring those who walked before, the martyrs of the systematic, who killed themselves under the weight of everything they would never have and everything they would never be, “so WE could be different.”


I wrote this while thinking of my Political Economy professor, who once walked into class and (almost angrily) told us he’d just finished paying off his house; he then silenced our fomenting congratulations with a curt “Don’t clap. It’s nothing to clap about.” And we all instantly obeyed, straight-faced, because we knew exactly what he meant.

Love always,

your Mister

I Walk With the Dead

I Walk With the Dead

Everyone is haunted;
I know you feel it, too;
I can’t be the only one.

Every time I open my eyes,
see a movie,
cross the street,
walk up stairs,
eat breakfast,
lunch,
or dinner,
drink coffee,
walk down stairs,
make love,
step into the shower;
every time I close my eyes . . .

I hear them,
everywhere,
always:
“Careful, that’s what killed me.”

They say
children see ghosts sometimes;
they play with them and laugh;
but then
they wonder where the wonder goes
and all they want to do
is talk.


Do you hear them, too?

Love always,

your Mister

The Devil is Inside Me!

The Devil is Inside Me!

I am within you,
talking constantly
and at the same time
in everyone else.
You might think I’m god
because I think that too.

I am the truth
that you’re capable of killing
anything:
a germ;
a duck;
your son;
their hope.
I know what to make you say
or do
to kill everything good in all that you love.

I am the truth
that no law or vow can stop you
from doing what you really want.

And I know you think happiness is pleasure
and abundance,
some shining, pulsing thing
that makes crowds dance
and feel immortal,
even though the truth is
happiness is just a choice
and a moment,
oftentimes dark and quiet,
feeling romantic and dancing alone,
wondering about death.


Love always,

your Mister

The Two Voices Inside You

Was this poem inspired by Greek philosophy/mythology? Or was it inspired by Sailor Moon? I think you know the answer. 😉


The Two Voices Inside You

I am Chaos, the uncreated,
the negative space across your sky.
I am the darkness you think you ignore
between the stars.
But, really, you reflect me.
I am the negative space between your thoughts,
the caves where you think the devil lives.
I am Hell, the only thing you’ve ever made
entirely by yourself.
I despair for lost oneness,
before time and words and
you and me
and
us and them.
I will rape and kill and burn them
until the flames unite us
as one destruction.

I am Cosmos, the creatress,
the hope that you will someday realize
oneness endures all,
the universe dances together eternally,
and emptiness does not exist.


chaos

Pictured: Sailor Moon, in Act 59 of the manga, encountering the lonely and jealous Chaos, “the one who never got to become a star,” the creator of all her adversaries throughout the series.

Love always,

your Mister

the ending is alone me.

the ending is alone me.

like the beginning
the ending is alone
me
cut from mother universe
by a force not understood
doomed and blessed
to drink from
touch
be taught by
but never reunited
while awareness is gray meat
flesh divides us absolutely
even in bed at night
after most of a lifetime married
insertion is not absorption
yet more flesh is made
crying
thinking
laughing
hoping


My mother told me that she realized she didn’t love my father right around the time I was born, and then a few hours later I wrote this; is there a connection? You decide! 😉

Love always,

your Mister

Lovemaking

Behold the tender fancies of a celibate/possibly asexual rain-lover:


Lovemaking

Rain smells, to me, like the heavens having sex with the earth. Humanity and nature alike are drenched in the frictional sweat of an intense, atmospheric lovemaking. The sky’s juices squirt everywhere, indiscriminate and inescapable, at times roaring blindly into the balmy, electric darkness; rumbling, beckoning. Some days–as I first get up or last lie down in bed–I close my eyes, listening to a rainstorm through a barely open window, and I feel absolutely certain I’m smelling penetration, impregnation. I inhale it thankfully and greedily, like musk, and with a piercing, faroff, lazy grin I wonder which I’d rather be: the sky, or the ground.


FullSizeRender

I’m just a hunk of labradorite, sitting on a windowsill, asking the universe to keep bad vibes away.

Love always,

your Mister

Desirous

Desirous

The sky hasn’t seemed real
since I can’t remember when.
No, it’s only a painting,
parallel, impossibly high,
untouchable;
and I no longer know
where rain comes from
or where it goes after
I’m done listening to it;
I just know it’s sad.

I’m daring it to touch me,
to swirl with forces unseen
and attempt a murder
with me or of me,
but
it never does;
I doubt it ever will
because it is not real,
like my dreams of us
or whatever is controlling me.

Please, just one more moment!
Soak the world! Make it swell
with colors I can’t describe;
transform me with everything,
ripened
with knowledge and desire for more,
to be tasted by everyone–
every being in the multiverse–
who is able to love and remind me
that moistened dry lips are not forever.


We all struggle with being scenery.

Love always,

your Mister

The Hope Does Not Spill

I received a particularly disappointing rejection last week; BUT: it’s the first rejection I’ve ever received that was addressed to “Miss Lonelyhearts,” so I’ve decided that it was cool and that I’ll take it as a win. I’ve also found a bit of solace in this poem I wrote about a month ago, which touches on depression and writer’s block.


The Hope Does Not Spill

Calm, warm blue
beckons me like a husband
from beneath
the sweating white ice.
It commands me
to bring it release,
promising
it will do the same
for me, eventually;
and, although it never has,
I can’t stop myself from
imagining, again, what it would
be like to believe this thing
I don’t remember asking
to be filled with,
which abuses me tenderly,
passionately sometimes
with healing bruises, telling me
that I am nothing without it,
that it is godlike and far
older than I can imagine,
and that I am unknowably lucky
to be its vessel,
to divide myself and slowly die
so it can continue replicating
itself, maybe forever,
replenished by countless other vessels,
some impossibly younger and sexier
than I am–
cells within cells within cells
that don’t technically exist yet–
because I am too stupid
or too something or everything
to contain it, understand it
completely.

It screams at me
for the first time
as I trace its path,
a river down my arm;
it’s so loud
but so impossibly faraway
inside me,
so I cannot hear it
but I know what it wants,
what it always wants:
to be freed, for me
to stab the cold, wet
touchability that separates us,
breaking it just enough so
I can chug its burgundy
on the other side
of the ice, released,
and finally drown in it.
My finger reaches
the end of that river
and strokes what it finds there:
an opaque patch of ice;

my body collapses
like the ice in my mind
as I blink away dryness
and try to cry out
all the trapped, dead, frozen things,
but the hope does not spill from me.


rejection

Historical document: my first rejection as “Miss Lonelyhearts”!

Love always,

your Mister

WRITING

WRITING

Writing must be everything or it’s nothing at all, but all it really needs to be is you. The first draft of everything is not good enough, but it’s also possible to edit something to death. Don’t listen to music while you work, they say, because it fills your mind with another’s words; but the silence inspires you as often as it makes you despair. Never use adverbs or semicolons, but always remember that breaking rules is a striking way to make a point. Writing should only supplement your life, not be your life, but you must also breathe it, and touch it, and see it in all things, and you must only be a writer if there is no other option, not one other possible life for you. The answer does not exist; the conversation is the universe. Then–just as you are about to leap from your skyscraping tower, just as you are about to give up on this life and kill the only piece of you that tries to make sense–Hemingway whispers from a window in Paris, a hundred years ago and for all time: “You have always written before and you will write now.” You blush. The moment’s here. Your hand stiffens, relaxes, reproduces.


I wrote this for you while wrestling with my muse, struggling–as always–to produce beauty, enlightenment, and comfort through the noise. And I felt you there with me the whole time.

Love always,

your Mister

AMERICA

I wrote this poem last week, in order to help me process the tragedy in Charlottesville the weekend prior–and, honestly, to help me process a great deal more than that; I’m sure you understand. I’ve written so much this past year, but I’ve let myself feel defeated and discouraged into not sharing the vast majority of it with anyone, even my closest loved ones. But that ends today.


AMERICA

I hate you,
I love you,
I want you
to die;
I need to march
forward, but
I cannot decide
on a battle-cry,
so all I can do
is buzz, unthinking
at the TV, wanting
to cry about how
all my favorite books
end with gunshots,
and about how often–
how
so very insanely
often–
I must watch you be raped,
beaten, shot, and killed
by men who have admirers,
legions of fans on screens
who insist that it was your fault,
that they cannot be met
with justice because
they have a bright
white future
and answering for this
particular murder
would certainly delay the good-time,
their destiny
manifested
on stolen blood and soil.

I’m supposed to understand
and be better,
but I can’t even be good
if this is a war;
and my love cannot touch
the men who don’t read,
because their god hasn’t written
anything in millennia,
and so they wander,
boredly, lost,
deeper
into eucharistic bloodlusts,
celebrating the arrival of their
long-awaited White Jesus,
who boasts a fake, orange tan
because he’s so quietly ashamed of
His American Whiteness
but doesn’t bother to wonder why,
so neither do his followers;
but I’m supposed to understand

as they march into my bedroom,
wild-eyed, carrying torches
and weapons,
shouting “JEWS WILL NOT REPLACE US!”
while looking pathetically replaceable,
all of them nearly identical:
colorless,
marching in-step with one another,
screaming the same bland hatred,
trying so desperately hard
to look just as tough as
the man in front of them,
howling, stampeding
toward incredible nothing,
“borne back
ceaselessly
into the past,”*
toward slaves and genocides and
inbred children,
malformed by ignorance and vanity,
with dead or quiet mothers
and no lust for knowledge
or protection from diseases
and the sun,

just a tired, grumpy god
watching
as daughters get raped by sons
and are told to shut up and
get daddy a beer because
he works so hard and just wants
to groan like the man on TV

about how things need to change
so he can feel like he’s part of
something bigger than

himself.

*The famous last phrase of The Great Gatsby


Love always,

Mister L.

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my last drink

November 21, 2021
1492 days ago.

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