“sexual frustrations of other men”

Excerpt from Chapter 3 of LONELYHEARTS 2016, my upcoming campy, surrealish, coming-of-age dramedy novel about a bipolar pansexual at the end of the world.


It should come as no surprise that, after the news of my kiss with Father spread, people–especially other boys and men–began acting more strangely than usual around me. One of the strangest such moments occurred in the boys’ restroom with a boy I call The Lamb. (I forget his name now, but he was a football player whose platinum curls always struck me as lamb-like. Football wasn’t in season, and a half-year without practices had faded his autumnal tan. His fleece was white as snow; and everywhere his teammates went, he was sure to go.)

I was standing at the urinal, attempting to relieve myself. But my mind kept drifting to the thought of how barbaric urinals are; they provide almost no privacy for the private function they serve. The stream had just begun when The Lamb strolled in and sidled to the urinal next to me. He was taller than me, but he never seemed to look down on me; he was taller than most people, actually, yet he seemed to look up to everyone. My stream was dripping to a stop, but The Lamb’s hadn’t even started. He had only unzipped. I could feel his stiff uneasiness next to me but didn’t think anything of it.

I shifted to begin zipping and walking toward the sink, but he leaned down and pressed his face into mine; our lips met. It was sudden, but the moist warmth glued me firmly to the moment. I relaxed into his nervousness. I wrapped my arms around his body and pulled him into mine. Our manhoods touched, then his eyes shot open as he jumped backward. I saw a brief sun-like glimmer in his sky-blue eyes; I swore it was shining from the inside, even though I logically knew it must be the reflection of outside light against his eye. The sparkle almost made me believe in souls, but he quickly bowed his head in shame, zipped up, and scurried away without a word.

I stood there with my manhood exposed, inhaling and swallowing the truth that much of my life had been and would be shaped by the sexual frustrations of other men; this revelation tasted of sweetness but smelled of urine and disinfectant.


Read more excerpts (and soon, the first five chapters) here.

real cover

Be gentle; this is only a tentative cover.

Love always,

your Mister

“the sex that gestates Life”

Excerpt from Chapter 2 of LONELYHEARTS 2016, my upcoming campy, surrealish, coming-of-age dramedy novel about a bipolar pansexual at end of the world.

(In this scene: Miss Lonelyhearts reminisces about a bible-study teacher he knew in high school, whom he jokingly referred to as “Father.” ( “I thanked him and called him ‘Father’ as a joke, knowing he wasn’t a priest; the word tingled on my tongue, lips, and teeth. Like a powerful spell. A secret magic that everyone was born with and I was just discovering.” )


He asked how I felt about god and the bible so far. I told him I thought it was silly that people referred to god as ‘He, with a capital H.’ I said, if god did exist and for-some-reason had a sex, ‘I would imagine it’s the sex that gestates Life.’ He laughed at my candidness and I was warmed inside. He told me that he agreed; that he didn’t think god was sexed. And he told me, in regards to my childbirth-as-punishment concern, that he believed the sacrifice of Christ had washed away most of that Old-Testament thinking, along with the rules like not shaving and not eating shellfish.

It was all so rational. He asked me if I was ready to accept Christ into my heart; I said I wasn’t sure.

He began playing the organ as if possessed. Everything moved around me with music and connectedness. I closed my eyes and felt the soul behind the song. It was troubled, but searching and eager, and I felt something for it that I imagined was love. I was one with it. I opened my eyes and realized that Father was overtaken with the fluidity of happiness like I’d never seen in him.

He was active but calm.

He stopped playing and, without looking at me, said that he wrote it for me; that I was his muse.

‘Shouldn’t your muse be god?’

‘It can be . . .’ he smiled at me. ‘You’ve got a fire in your eyes. You know that?’

‘I think it’s just light,’ I blushed.

He started telling me that he loved my voice, and he thought I should sing in the choir. I started to say I didn’t think my voice was good enough, then he grabbed my face and pressed his lips into mine. They opened instinctively for him, and I let him inside me. He tasted like a smell I recognized; like cigarette smoke. It felt like caffeine and a sunshiny walk, and I wanted more. I needed more. Our tongues flirted with real oneness, and I was lost in how warm, pulsing and purposeful our movements were.

He leaned into me further, and I felt an expectation in the pressure of his body on mine. A snake slithered up his throat and down my own, but I didn’t want it there; I pushed my body back against his, and the snake slithered back into his belly. I could sense its coiled comfort there. I could also feel the sudden, newfound absence in myself, but the absence felt more natural than the urgency to fill it.

I separated us to breathe. I looked at him and thought about how natural it would feel to love him, with a love I’d never known. He asked if it was okay that he kissed me, and if it felt good for me. I told him it was lovely, but that I didn’t have any experience for comparison.

Upon hearing that he was my first kiss, his eyes retracted in shadow. I called to him lovingly as he slipped into the abyss, but some demoniac doubt had contorted his face beyond reason. He acted like he didn’t hear my concern, and he yelled at me to leave. He continued screaming until I rose from the bench and inched away from him. Then he began pounding on the organ with a disjointed urgency. The rumbling made me turn and run; the Earth was riddled with apocalyptic fits.

The forceful, directionless thunder followed me, even as I descended the steps outside. I was certain the church would collapse. But then I glanced at its facade one more time, and I realized that the church had been built to withstand and amplify that very noise.


Read more excerpts (and soon, the first five chapters) here.

real cover

Be gentle; this is only a tentative cover.

Love always,

your Mister

“fish became man”

Excerpt from Chapter 1 of LONELYHEARTS 2016, my upcoming campy, surrealish, coming-of-age dramedy novel about a bipolar pansexual at the end of the world.

(In the movie version of my mind, Miss Lonelyhearts’ ringtone is “Break the Ice” by Britney Spears, and he does a ridiculous and slightly provocative dance down the aisle to it while wearing a hooded blue robe. #TheMoreYouKnow)


Thrush barely finished speaking before Miss Lonelyhearts’ phone rang from a pocket in the crowd, causing almost every head in the audience to rotate and scan the shadowed faces around them.

Miss Lonelyhearts let it ring. He wanted to prolong their ecstatic curiosity for as long as possible. Once he answered the phone and revealed himself for the first time, he would no longer be words. He would be eyebrows, he would be teeth, and he would be clothes. He would be judged, if only slightly, so he wanted his last moments of abstraction to feel more eternal than urgent. As he felt the last ring approaching, Miss Lonelyhearts grasped the ticking bomb in his pocket and detonated it. The ringing stopped, as did its vibration and amplified echo.

“Miss Lonelyhearts?” Thrush cooed again, this time into his phone.

“This is he,” Miss Lonelyhearts stood. He kept his phone pressed to his face for only a few seconds. After he walked into the aisle, he ended the rehearsed call and placed the phone back in his pocket.

“Ah, yes, there he is: the lovely and irreplaceable Miss Lonelyhearts, ladies and gentlemen! Sometimes late, but always reliable. Let’s give ‘im a round of applause!” Thrush announced, as if reminding the confused and silent crowd to be respectful.

Controlled clapping filled the auditorium on his command, much different and more considered than the indiscriminate reactions of the crowd thus far. Everyone was too preoccupied with absorbing Miss Lonelyhearts’ appearance to scream or stand, so surprised whispers could be heard above the mechanical applause.

Miss Lonelyhearts swam down the shadowy aisle like a catfish, devouring just enough of the audience’s reactions to maintain his nerve and stride. Confused looks abounded, but the occasional smile shined. “Called it! I told you!” someone whispered to a neighbor as Miss Lonelyhearts passed, probably referring to his sex. Odd, he thought, and faltered for a moment; a lot more men than I was expecting. The swim was short, and the catfish approached the stage. After drawing one last clumsy breath, Miss Lonelyhearts ascended. Feet met stage, fish became man.

Miss Lonelyhearts grabbed the silk robe draped across the foot of the bed, wrapped it around himself, and tied it tightly. The shiny blue fabric concealed his outfit, except for the whisper of a white collar still echoing the peak of his Adam’s-apple. He was haloed in the heart-lights, surrounded by the color of blood mixed with shaving foam. Miss Lonelyhearts had chosen this color to camouflage his naturally flushed complexion. He turned to face his public, and their ocean of applause–along with their handfuls of howls and whistles–parted at his words:

“Thank you for being you, and for being here tonight,” Miss Lonelyhearts smiled at them. “I know how difficult it must be, for all of you, to be yourself and feel present in this room with me tonight–in a world that so often seems to wish you were anything but yourself. That pressure weighs on you, a mysterious stress that never goes away because you can never quite determine its cause. It keeps you up at night, and sometimes it makes you say and do horrible things you don’t really mean. . .”


Read more excerpts (and soon, the first chapters) here.

Love always,

real cover

Be gentle; this is only a tentative cover.

your Mister

The Other Side

The Other Side

They pound on the door,
pound on the walls,
echoing gunshots through
the empty room
with me in it.
Let us in!
Let us in!
They slide notes
under the door:
Are you okay?
Please come out!
WE LOVE YOU!
But I can’t be sure
if those are the truth,
so I don’t know
if I should entrust
them with my own truths:
like how I don’t know
if we’ve ever really been friends
or if we’ve just silently agreed
to hold each other back;
and how I can’t talk
about death without quoting someone
else, even though I think about
it myself all the time;
and how I play with my body
every day, imagining
all the things I cannot do,
cannot say.
If I tell them these things,
or anything else,
they will try to help
me in their own selfish ways,
and then they’ll tell
me all about their own bad days;
and James Herlihy wrote that
I mustn’t let the demons
of others breed
with my own
or else
I will be forever
imprisoned by the monsters
it makes;
but
it has already started,
so
is this the end?


This was inspired by a letter from James Herlihy to Anaïs Nin, which I read in Trapeze: the Unexpurgated Diary of Anaïs Nin, 1947-1955 (published earlier this year; the sixth installment in the MUST-READ series of diaries from one of the most tragically underexposed authors in history.)

Love always,

your Mister

Miss Lonelyhearts Always Returns

Miss Lonelyhearts Always Returns

Sometimes my soul grows tired,
tired as the twilit sky,
tired of this body it calls home:
this body that needs washed,
fed each day and put to sleep,
this body that will die a baby,
having never outgrown its constant need.
This body must always come or leave,
and it walks the same hallways,
climbs to descend the same stairs
and get to the same places;
they say a third of life is spent asleep,
but what fraction expresses the time
spent walking to and from the same bed?
Everything done again feels wasteful.

I avoid mirrors on these tired days,
because it’s hard to look myself in the eyes
and say I love me, even the least important part:
this hairy, wrinkled, blushing thing
that hosts a soul you think you’ve seen,
baked in clay and covered with pieces
and marks we must learn to love or die unloved;
they say the body is a temple or garden, and I know
those are meant to look different in different light,
cast uneven shadows and move clumsily through time,
then disappear altogether, making room for new things.
So maybe I, like they, will teach people
how to be immortal in transience, by existing after I exist,
in stories and paintings, or in unspoken memories of how
I gave the world goodness by letting it happen in and around me.

Another tired night, bombarded by Death
of people, youth, and opportunity. I close the door,
turn off the lights and face the lifeless, lightless mirror;
I stare into the blackness and pray, searching the invisibility,
alone, to find a trace of goodness in the universe inside.
I allow myself to forget that I’m meat and bone
enslaved to needs, reliance, and vanity. In the abyss
I hear an echo; it’s me, quoting Dostoevsky to a friend:

“I think the devil doesn’t exist, but man has created him . . . in his own image and likeness.” “Beauty is mysterious as well as terrible.
God and the devil are fighting there, and the battlefield is the heart of man.” “To love someone is to see him as God intended him.”

Having seen my soul in the voice with no sound, I turn on the lights,
illuminating my body and the truth that I’m free
to love again, without feeling wasteful.


This poem was inspired by one of Artur Deus Dionísio’s Instagram photos, in which he stands before a mirror; he wrote this caption for it: “‘Mirror, is it true, you don’t even have a true color?’ None at all, you know, I’m not the one you seek when you see me: I’m your mirage, but you’re my slave #cage #mirror.” As someone who’s struggled with body image issues for most of my life, this caption struck a chord with me. I challenged myself to play a lovely little serenade to myself in that chord, and this poem is the result. I hope it resonates with someone out there, so we can keep this beautiful music going.

I became acquainted with Artur after I downloaded an amazing app called DailyArt, which provides me with a daily dose of inspiration. Every day, the app displays a new work of art, along with a descriptive discussion of the artist and theme. His discussions are always my favorite, so I cyber-stalked him and the rest is history. I highly recommend this app to anyone with even the slightest creative sensibilities; actually, I just recommend this app to EVERYONE. I promise it will inspire you by reminding you that Life is Art and that nobody is ever alone.

Love always,

your Mister

P.S. – The title of this poem comes from Chapter 10 (“Miss Lonelyhearts Returns”) of Nathanael West’s Miss Lonelyhearts, the novella upon which this entire project is based.

Epigraph

Here are the opening auxiliary quotes of my novella, Miss Lonelyhearts Again:

epigraph-two

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my last drink

November 21, 2021
1492 days ago.

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